A quick message to everyone who kept asking me for permission to use my project for their fanworks:
If you all want to use the techniques in my moveset projects for your fanfics, doujinshi, RPs or whatever, go right on ahead! No need to ask me for permission as long as you give credit. That is all.
---------- Post added December 10, 2012 at 12:40 PM ---------- Previous post was December 07, 2012 at 11:40 AM ----------
Update 12/10/12:
New technique added to the Shigan section!
Mil Belle Fleur "Shiryusei" (Finger Meteor) (HO)(N)(M)(T)(OS) - A simply more powerful version of Kami no Shigan (Shigan of God), only that it's amplified with Busoshoku "koka".
More to come later today!
---------- Post added December 12, 2012 at 10:22 AM ---------- Previous post was December 10, 2012 at 12:40 PM ----------
Hey guys, what's up? I thought I should let you all know that I was gonna post more techniques the other day but a few things came up and plus I'm still trying to find some good names for the techniques so it's gonna be a little while before I post them here (although I could just leave them nameless for now post them sometime today when I get the chance).
Now on to another matter, one that revolves around that little book of the project that was gonna send to Oda. Here's the thing, I was going to send it to him, but there are 2 problems that are preventing me from doing so: Money (with the cost of printer ink and international mailing) and translating (with the need of the ENTIRE project being translated to japanese in order for Oda to read it, and my japanese is very weak). While I'm sure that I can deal with the mail thing with careful budgeting, the translating to japanese issue is beyond my ability. So unless I can find someone who is willing to translate the whole thing in japanese, I won't be able to send the project to Oda anytime soon.
---------- Post added December 17, 2012 at 11:40 AM ---------- Previous post was December 12, 2012 at 10:22 AM ----------
A quick update:
After some consideration, I decided to say "screw it" and went on ahead to finish up the documented version (aka the book) anyway and then send it to the US division of SJ instead and hope that they, if they like it enough, will translate it and send it to Oda. Wish me luck!
---------- Post added January 08, 2013 at 02:31 PM ---------- Previous post was December 17, 2012 at 11:40 AM ----------
A quick update:
Hey everyone, just so you know that the document is about 75% done. All I have to do is just add some bits and pieces of info and then all the remaining rough sketches that I have done over the years that I haven't posted online at all. Also I'm still waiting on CCann to send me the final illustration of the remaining three she owes me so I can finally add it in, along with a special illustration of a Rokukougan technique drawn by Darkeyez07 (which I was able to aford thanks to my 4the youngest bro! ^_^) so I can add that too!
Hopefully I'll be able to send the document version of the project before the next chapter finally comes out.
---------- Post added January 10, 2013 at 11:46 AM ---------- Previous post was January 08, 2013 at 02:31 PM ----------
Well I got some good news, some bad news, and some more good news.
The first good news is that the document is about 85% finished. The bad news however is that due to unfortunate circumstances, Darkeyez will not be able to finish the illustration of the Rokukougan technique in time, which sucks for me since I was really looking forward to adding it. The good news however is that CCann is still on board and working on the final illustration that she owes me as we speak which should be ready in time before the send off so it's all good.
Anyways, remember that one Tetsuhana technique, ??? (Iron mass ball)? Well finally after all this time, I have finally came up with a japanese name for it: Tetsuhana "Tamaishi" (Boulder)!
---------- Post added January 26, 2013 at 11:58 AM ---------- Previous post was January 10, 2013 at 11:46 AM ----------
I got great news people! Remember the illustration for a Rokuougan technique that was cancelled a while ago due to schedule conflicts? Well luckily, another old acquaintance of mine, Magion02, decided to take on the task of making the illustration instead so things are back on schedule!
---------- Post added February 01, 2013 at 02:53 PM ---------- Previous post was January 26, 2013 at 11:58 AM ----------
Update:
Well guys, it's almost ready for send off with only 93% completed! In the meantime, I would like to give you all a further explanation on a couple of Soru techniques that I feel the need to elaborate on.
First, let's start off with a further explanation on
Kaika Soru "Heki" (burst)! You see, while Soru is a technique that allows the user to gain an explosive burst of speed in order to move short distances at vanishing speed, Kaika Soru: Heki is a technique that allows a Hana Hana user to gain an EXTRA burst of speed (albeit small busts) WHILE still moving in vanishing speeds. Basically, it's a burst within a burst.
To help further explain how it works, let's take a look at this little diagram that represents the time duration of a typical normal Soru:
S----------------------------S
Now here it is again with Kaika Soru: Heki being activated within the time duration of Soru at one point to slightly increase her/his vanishing speed by either 20% or 25%, but at the cost of a little Soru duration time.
S------H-----------------S
And again, this time with TWO extra bursts instead of one, with the second one increasing the speed by 20% or 25% more, allowing him/her to move 40% or 50% faster then normal, but at the cost of even MORE duration time:
S------H-----H------S
Now here it is again with Heki being activated at the end of the time duration of Soru to slightly prolong the Soru, but the speed stays the same:
S----------------------------H------------S
As one has already guess, Soru is like a car battery being supercharged a few seconds before cooling down. So I guess you can say that Heki is like an extra "shift", which can be repeated with a very limited amount of times to avoid overheating.
It should also be noted that this technique also allows the user move at longer distances then a normal soru would.
As for Kaika Kamisori, well as you can tell from the description, it's basically an aerial version of Kaika Soru "Heki", only that it's activated during Kamisori instead of Soru and uses aspects of Kaika Geppou to have the sprouted feet kicking the air beneath her/him a few times in an instant instead of the ground.
Now let's move on to Kaika Soru "Senkou" (flash)! Now to further explain how Senkou works, let's look a little diagram that represents the rhythm of the ten ground kicks that is required to use a normal Soru:
L-----R-----L-----R-----L-----R-----L-----R-----L-----R
Now let's look at it again in the same rhythm with sprouted feet included:
L--S--R--S--L--S--R--S--L--S--R--S--L--S--R--S--L--S--R--S
As you can see, the ground kicking rhythm of the normal feet stay roughly the same without any slowdown despite the sprouted foot kicking in between, thus allowing her to build up momentum at the same near instantaneous pace with out any real slowdown, only that the disappearing and blast off effect is far greater and dramatic . It should also be noted that each sprouted foot disburses after kicking the ground, hence the petals that gather around her feet (due to the air pressure and velocity created from the ground kicks) for less then a split second before she accelerates and spreads out from the spot she was on after she accelerates.
---------- Post added February 06, 2013 at 07:19 AM ---------- Previous post was February 01, 2013 at 02:53 PM ----------
In celebration of Nico Robin’s birthday, I think it’s about time that I now unveil to you all a 18-screenshot preview of the document version of the Rokushiki Robin project! I hope you all like it!
(Note: The document itself, which is 142 pages long, is still unfinished, hence the lack of page numbers.)
