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- Jun 22, 2016
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That's like Ghost in the Shell vs SAO...
FMA, ofc!
FMA, ofc!
Still better than One Piece of shit though. Funnily enough One Piece characters have more estrogen than Claymore ones, even though most Claymore characters are female. One Piece shouldn't even be published in Weekly Shounen Jump but rather in Weekly Shoujo Jump.Claymore was garbage btw
Why bother with text when the substance of your argument is basically "I don't like it, so it's shit" or "lel butthurt XD"? FMA could do everything better than OP, but that doesn't make it anywhere near as bad as you've described it. Almost everything you've posted so far is boorish, low-tier bait, so memes/images as replies are all it deserves IMO.Still better than One Piece of shit though. Funnily enough One Piece characters have more estrogen than Claymore ones, even though most Claymore characters are female. One Piece shouldn't even be published in Weekly Shounen Jump but rather in Weekly Shoujo Jump.
Anyway, Oda treats his readers like retards, Arakawa on the other hand gave hints about certain events and characters in various places so that more intelligent readers could add 2 plus 2. What's more, most characters in FMA are adults which in general also increases the quality of the story (FMA being no exception). In OP there are like 900 chapters and it's not even close to the end .
P.S.
Too few pictures, add more memes or images that mean nothing to me, text is for retards .
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Emotional moments !? but Asia-chan i can't forgive you, how could you forget about those (they are not deaths or necessary sad scenes but very impactful scenes that i love a lot )One Piece is the only manga that will ever make you cry for a ship. I'll help to add the emotional moments, I think those were pretty famous too:
Bon Clay, a former enemy helping Luffy at Impel Down saga (not so famous, but he helped twice, if you read One piece, you know the hell they had been through in Impel Down):
I cried twice over the same scene.
And one of the most recent emotional moments is this whole story:
Nothing will beat Hughes daughter atEmotional moments !? but Asia-chan i can't forgive you, how could you forget about those (they are not deaths or necessary sad scenes but very impactful scenes that i love a lot )
Oda is really a genius, he introduced the haki on the very 1st chapter and we ve been explained about it years aferwards :
Nami
Also those smoker scenes in Alabasta, his sense of justice !
Zoro scene in Thriller Bark !
Also the whole Robin past.
Grey terminal (#meteorcity), Luffy, Sabo & Ace past :
Koala past as a slave (love this character a lot ) theres an interesting parallelism that have been draw between about her story and Nami's :
source : http://www.onepiecegold.net/koala-and-nami/2/ it's alos on op wikia but don't know who to credit it's been reposted countless times ive no idea who's the one who originally wrote this.
- While Nami was forced to join Arlong’s crew against her will, Koala only traveled with the Sun Pirates because they were asked to take her.
- While both were forced to wear their crew’s mark, Koala’s “mark of the sun” was put on to replace another mark. Nami’s Arlong tattoo was removed and replaced with a tattoo of her own design. Each girl ended up with a permanent mark replacing a former mark of enslavement as a result of affiliation with fishmen.
- When Koala joined the Sun Pirates, she was finally allowed to cry, whereas with Nami, after she was forced to join Arlong she refused to cry.
- Koala was never forced to do any work as she was freed from slavery. Nami was forced to draw maps and act as a slave to Arlong.
- Koala’s time in the crew was only meant to be temporary while Arlong intended to keep Nami in the crew forever.
- Koala left the crew with good memories and was sad to leave the crew while Nami’s time was spent in misery and was happy to leave. This caused Koala to have a good opinion of fishmen while Nami had to put her feelings behind when she finally came across fishmen again.
- In Koala’s case, her hometown exchanged her freedom with the Marines for the lives of the fishmen. In the case of Nami’s hometown, they fought against the fishmen for their freedom after the Marines betrayed them.
Sanji past :
Oh wait... what am i doing ? didn't i vote for FMA ?
see how i m erratic and inconsistent !
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Yes!So...should I read Fullmetal Alchemist or no?
But to be more accurate you should take in account the fact that FMa is wrapped up and that op has still at least some 10 years before it ends and it started way before FMA, de facto Op universe is way broader and ambtious, but at the same time, author has to take more risks to keep capturing the reader interest over the years and he has to keep in mind that reader's tastes are constantly changing depending on various factors and work accordingly. it's not an easy task and i guess the feeling of repetition is likely due to its very long running statute. It's been 20 years op started, but still it always kept consistent and faithful to its ideals.YES @Goral ! THIS IS WHAT THE PEOPLE IS ASKING FOR!
Anyways, as I don't know which one vote I will use Reebi's method.
OP
Art: 8,5/15
Story: 10/15 (because of repetition)
Characters: 9,5/15
Fights/Conflicts: 3.5/5
Universe: 9/10
Feels: 9/15
FMA
Art:8/15
Story: 13/15
Characters: 12.5/15
Fights/conflicts: 4/5
Universe: 7,5/10
Feels: 11,5/15
So I have to add up everything to get the total rate?
So this makes 49,5/ for OP and 56,5 for FMA. Still pretty close. I guess I m gonna wait for more campaaigns but I am more leaning toward FMA.
I think the scene with Bon Clay allowing the Strawhats to escape at Impel Down would have been oh so much better if he had died. That would have been one of my favourite deaths in all of manga, but because he just ended up surviving and living a life arguably even better then his previous one it just feels like there was no consequences to that scene, so in hindsight there is nothing to be sad about for me.Bon Clay, a former enemy helping Luffy at Impel Down saga
That's right. The presence of ending does certainly play a lot in term of fulfilment. However I personally (well, I guess this is uncommon) don't feel that entrailed by the presence of an ending or its absence. I mean, an ending is cool but what drags me the most into a series is the in-going hype, the desire to want mysteries resolve, to know the fate of the character that I enjoy etc.But to be more accurate you should take in account the fact that FMa is wrapped up and that op has still at least some 10 years before it ends and it started way before FMA, de facto Op universe is way broader and ambtious, but at the same time, author has to take more risks to keep capturing the reader interest over the years and he has to keep in mind that reader's tastes are constantly changing depending on various factors and work accordingly. it's not an easy task and i guess the feeling of repetition is likely due to its very long running statute. It's been 20 years op started, but still it always kept consistent and faithful to its ideals.
Also take in account that Fma was a monthly relased series while Op is weekly, writing conditions are not the same. And fulfillment is not the same when you assess a still on-going manga/series and a completed one (depending on if its ends up in a satisfactory way what fma did perfectly) in storytelling its common sense to say that a satisfactory/good/powerful ending is what contributes to make a story memorable. for intance when writing a uni paper/exam writing conclusion is so important that we are often told to start to work on it before the body of the text to avoid to dash it off, because that's where the last impression on the reader lies.
Lol, I just said the moments I had on mind at the time, there's more: Sanji's story (the part with Zeff, not with his family), Tom (Franky's teacher) case when he constructed Gol D. Roger ship.Emotional moments !? but Asia-chan i can't forgive you, how could you forget about those (they are not deaths or necessary sad scenes but very impactful scenes that i love a lot )
Oda is really a genius, he introduced the haki on the very 1st chapter and we ve been explained about it years aferwards :
Nami
Also those smoker scenes in Alabasta, his sense of justice !
Zoro scene in Thriller Bark !
Also the whole Robin past.
Grey terminal (#meteorcity), Luffy, Sabo & Ace past :
Koala past as a slave (love this character a lot ) theres an interesting parallelism that have been draw between about her story and Nami's :
source : http://www.onepiecegold.net/koala-and-nami/2/ it's alos on op wikia but don't know who to credit it's been reposted countless times ive no idea who's the one who originally wrote this.
- While Nami was forced to join Arlong’s crew against her will, Koala only traveled with the Sun Pirates because they were asked to take her.
- While both were forced to wear their crew’s mark, Koala’s “mark of the sun” was put on to replace another mark. Nami’s Arlong tattoo was removed and replaced with a tattoo of her own design. Each girl ended up with a permanent mark replacing a former mark of enslavement as a result of affiliation with fishmen.
- When Koala joined the Sun Pirates, she was finally allowed to cry, whereas with Nami, after she was forced to join Arlong she refused to cry.
- Koala was never forced to do any work as she was freed from slavery. Nami was forced to draw maps and act as a slave to Arlong.
- Koala’s time in the crew was only meant to be temporary while Arlong intended to keep Nami in the crew forever.
- Koala left the crew with good memories and was sad to leave the crew while Nami’s time was spent in misery and was happy to leave. This caused Koala to have a good opinion of fishmen while Nami had to put her feelings behind when she finally came across fishmen again.
- In Koala’s case, her hometown exchanged her freedom with the Marines for the lives of the fishmen. In the case of Nami’s hometown, they fought against the fishmen for their freedom after the Marines betrayed them.
Sanji past :
Oh wait... what am i doing ? didn't i vote for FMA ?
see how i m erratic and inconsistent !
Asia-chan please, did you vote or support at least a single time my nomination (TPN) or my nomination (hxh).Not only you never voted for them but you kept bashing them, even though im still supporting you and and orga despite you being so mean !Erin-chan I should be the one saying "I can't forgive you", how can you do campaign for One piece and not vote on it? The backstabbing of this war never ends.
Erin-chan, I didn't bash your nominations and I'm glad you're helpig the campaign. I only voted for my favorites, I only voted for One piece and Gintama with my heart.Asia-chan please, did you vote or support at least a single time my nomination (TPN) or my nomination (hxh).Not only you never voted for them but you kept bashing them, even though im still supporting you and and orga despite you being so mean !
Who's the backstabber then, again
will never forget that words, i was too naïve
Nah, especially not when hes pretty much living his dream as being the queen of okamas. Hes probably enjoying it far more right now then he ever did working for Croc or whatever. For a sacrifice to be sad there has to be a loss, Bon Clay did not loose anything, if anything he benefited from the "sacrifice" lol, so there is an emotional disconnect for me there.@The President I talked about Bon Clay, because he stays locked in Impel down in order to aid Luffy's escape, even if he doesn't die, staying on a prison for the rest of his life sounds quite sad.
What are you doing!??But to be more accurate you should take in account the fact that FMa is wrapped up and that op has still at least some 10 years before it ends and it started way before FMA, de facto Op universe is way broader and ambtious, but at the same time, author has to take more risks to keep capturing the reader interest over the years and he has to keep in mind that reader's tastes are constantly changing depending on various factors and work accordingly. it's not an easy task and i guess the feeling of repetition is likely due to its very long running statute. It's been 20 years op started, but still it always kept consistent and faithful to its ideals.
Also take in account that Fma was a monthly relased series while Op is weekly, writing conditions are not the same. And fulfillment is not the same when you assess a still on-going manga/series and a completed one (depending on if its ends up in a satisfactory way what fma did perfectly) in storytelling its common sense to say that a satisfactory/good/powerful ending is what contributes to make a story memorable. for intance when writing a uni paper/exam writing conclusion is so important that we are often told to start to work on it before the body of the text to avoid to dash it off, because that's where the last impression on the reader lies.
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It'sWhat are you doing!??
Edit the post and put some gif, i liked the post after reading and then saw the user, i couldn't believe it was you xd
Great post, that's what Oda always tries in every chapter, tries to make things interesting, he works in the most capitalist magazine of manga, thus he doesn't makes his story alone, he's forced to adapt everything in a weekly basis, while in a month issue, things are different and give more freedom to his author, you specified that system very good.
@The President your thoughts about Ace are exactly as mine, i was shocked when in a pic of One Piece Magazine, Oda said that he didn't understood why people where so attached to Ace and that he planned to kill him before introduce it in the story xD
Let's follow Reebi's scale
One Piece
Art: 14/15 (Oda uses 3 forms of drawing styles, while you can perceive in every chapter crowds that resemble to "find wally" and there's sketches of ships)
Story: 11/15 (Incoherent, lacks of logic sometimes, yet simple and through all, it takes you to journey places and people)
Characters: 15/15 (Recycled system, where 700 characters round his part in the world and some are picked to leave great impressions on readers, Katakuri)
Fights/Conflicts: 2/5 (Two systems of power, typical conflicts and rescues, dragging a lot)
Universe: 10/10 (Perfection, best World Building manga ever made)
Feels: 13/15 (Chopper and Merry highpoints, Ace go and bury yourself, a lot of drama that sometimes is a drag but neccesary for characters)
65/75
Full Metal Alchemist
Art: 13/15 (One type of drawing style, great detail in gag and serious plot, not superb but good)
Story: 13/15 (Coherent, boring sometimes, typical human desire, MC's lost their wish half the story, but great at keeping the "Dark fantasy" theme)
Characters: 13/15 (Mere tools, well used though, but yeah, like old school manga, so very good)
Fights/Conflicts: 3/5 (One system of power, but with better fights than OP, there was more versatility here)
Universe: 6/10 (Nice, just nice, very inconsistent, but oh well)
Feels: 10/15 (Ling, mah bro, you, only you are here, and the Quimera girl, such a bad daddy, all for money)
58/75
As i thought, the tree with more branches wins! D: